Jon L Pitt

Picture of Jon L Pitt
Assistant Professor, East Asian Studies
School of Humanities
Affiliate Faculty, Critical Theory
School of Humanities
Ph.D., University of California, Berkeley, 2019, Japanese
M.A., St. John's College, Santa Fe, 2013, East Asian Classics
B.A., University of California, Santa Cruz, 2003, Literature
Email: jpitt@uci.edu
University of California, Irvine
478 Humanities Instructional Building
Mail Code: 6000
Irvine, CA 92697
Research Interests
Japanese literature, Japanese cinema, Japanese sound media, critical plant studies, environmental humanities, environmental media theory
Research Abstract
My research examines the intersections of Japanese literature and media (including cinema and sound media) and the environmental sciences. My goal is to bring the study of Japan into the growing field of Critical Plant Studies. I am interested in how interdisciplinary work across the humanities and the sciences can foster new interpretive modes for both fields. I look to demonstrate how scientific frameworks such as evolution and ecology have influenced (and continue to influence) Japanese literature and cinema. I believe finding points of contact between literary/filmic texts and the study of the environment can help us better understand our own places within the changing environment of the contemporary moment.

My first book, titled Botanical Imagination: Rethinking Plants in Modern Japan (Cornell University Press, 2025), proposes that vegetation (and the scientific study of plants) offered a number of modern Japanese writers and filmmakers a new model through which to rethink human subjectivity and develop notions of plasticity in response to turbulent historical events. I examine how an intellectual investment in plant life brings together a wide-ranging group of writers and intellectuals from the 1930s to the 2010s: literary authors such as Osaki Midori, Abe Kobo, Haniya Yutaka, Ito Seiko, and Ito Hiromi, parascientist Hashimoto Ken, and filmmakers Yanagimachi Mitsuo and Kawase Naomi. I argue that human subjectivity in the texts composed by this group writers and filmmakers is rethought beyond the confines of the human body, beyond conventional sense perception, and also beyond human temporality.

I am currently working on two separate book projects. The first project takes an auto-theoretical approach to the study of artistic and scientific exchange between Japan and New Mexico in the development and aftermath of the Manhattan Project. The second project examines DIY cultures of microbial arts (focusing on composting and fermentation) as a form of anti-capitalist praxis in contemporary Japan.
Awards and Honors
•School of Humanities Senate Faculty Teaching Excellence Award (AY 2022-2023)
Publications
Research Centers
Environmental Humanities Research Center
Last updated
03/26/2025